低保真机器 Lo-Fi Machine, by 马木尔 Mamer

低保真机器 Lo-Fi Machine

by 马木尔 Mamer

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Sam This is honestly such a blast. I really had a great time listening to this. One of my favorite new releases in the experimental noise space Favorite track: A2.

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	1.	A1 05:41
	2.	A2 04:00
	3.	A3 02:28
	4.	A4 00:21
	5.	A5 02:43
	6.	A6 02:46
	7.	A7 04:00
	8.	A8 02:28
	9.	A9 03:20
	10.	A10 06:02
	11.	A11 00:47
	12.	B1 03:39
	13.	B2 02:52
	14.	B3 03:29
	15.	B4 02:52
	16.	B5 02:16
	17.	B6 04:11
	18.	B7 00:40
	19.	B8 01:59
	20.	B9 08:13
	21.	B10 04:12

about

录音时间：2013年7月
旧天堂书店 & 凸兀联合出品，2023

Recorded in July 2013
Published by Old Heaven Books & To Whom, 2023

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别去寻找热瓦普
——写给《低保真机器》

这是马木尔在2013年完成的众多个人专辑之一。

那时候马木尔的创作欲像火山一样喷涌。我记得当时书店刚刚出版了他的个人专辑《星空》和《循环》，还有IZ乐队的《回声》；很多乐迷慢慢接受了IZ乐队的《影子》这样的音乐，也有人开始谈论《星空》专辑里对民族乐器演奏的拓展和“革新”，而当时的马木尔早已沉浸在另外的世界里了。

有一天他交给我一堆光盘，内容大概有多达十几张专辑的录音，涵盖他2000年以来创作的各种个人作品，有工业、氛围、噪音等多种风格，但其中更令我印象深刻的是大量的民族器乐实验，使用的乐器包括冬不拉、口弦、萨满鼓、热瓦普等等；这些录音在后来陆续有一部分得以正式出版了，还有一些内容曾引起国内外一些厂牌的兴趣，但由于各种各样的原因，加上马木尔过于高产，不断有新的计划和作品出来，以至于我们完全跟不上他的节奏……总之当年的这些录音有一部分就这样被束之高阁了。

前段时间我偶然看到当年熊辉拍的一张照片，马木尔在一个演出现场演奏热瓦普噪音，突然想起来这些音乐曾经震撼过我——那一段时间我每天都徜徉在这样的声音里：干燥的低保真轰鸣，执拗、狂热不安的呓语，思路清晰却又去向不明。我打电话问马木尔，为什么要用刀郎热瓦普来演奏噪音？他回答说，热瓦普结构以及琴弦的排列和效果器在一起容易产生好的反应，得到他想要的声音。其它便再无言说。

十年过去了，期间不断有年轻人问我：大家都演奏噪音，会有什么不同吗？我只能回答说，有的“噪音”就只是噪音，而有的“噪音”是音乐；“噪音”是表象，“演奏”是手段，藏在这些东西后面的逻辑才是音乐。这些言论非常个人化，甚至有些没文化，但这就是我当年听到这张专辑最直接的感受。

我一开始想要在噪音里寻找热瓦普，但很快就放弃了，更准确地说是忘记了，再后来我才明白，原来我是被打劫了。

这盘磁带如今在旧天堂书店出版，算是得报十年之仇，亦是对马木尔历史遗留未发表作品的挖掘整理。楼上的邻居凸兀非要来插一杠子，说是在这些噪音里听到了纯纯的民谣，马木尔本人则对此三缄其口不置一词。所以，大家听到什么就是什么吧。

（文：涂飞）

————————

credits

released August 17, 2023

马木尔：刀郎热瓦普、人声
录音：范郡哲
封面摄影：熊辉
设计：陈铁梅

Mamer: Dolan Rawap, Voice
Recorded by Fan Junzhe
Photograph by Xiong Hui
Design by Chen Tiemei

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Old Heaven Books Shenzhen, China

Located in Shenzhen, China, sells books and records. It's also a record label.

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